‘fantasy, ambition, obsession, labor, achievement, anxiety, torpor, collapse’
Meg Porteous
18 Sep – 17 Oct 2026
‘Black Maria’, 2026
Cardboard box, spackle, gesso, gaffer tape, cinefoil, PVC glue, hot glue, pins, TV paint, black card, foam board
470 × 280 × 860 mm
Installation view
‘Black Maria (animal, mineral, vegetable)’, 2026
1:15 scale model
MDF, wood glue, TV paint, black card, balsa wood, foam board, projector, found images (looped, 4 hours)
450 × 380 × 980 mm
Installation view
‘Snoot’, 2026
Found image, inkjet print on adhesive
1190 × 840 mm
Edition of 2, + 1AP
‘Maya plays dead’, 2026
Chromogenic hand print on Fuji Chrystal archive paper
365 × 415 mm (framed)
Edition of 2, +1 AP
‘Maya plays dead’ (detail), 2026
Chromogenic hand print on Fuji Chrystal archive paper
365 × 415 mm (framed)
Edition of 2, +1 AP
Installation view
‘20th century Fox, 65 inch and a sectional’, 2026
Chromogenic hand prints on Fuji Chrystal archive paper
460 × 725 mm (framed)
Edition of 2, +1 AP
‘20th century Fox, 65 inch and a sectional’ (detail), 2026
Chromogenic hand prints on Fuji Chrystal archive paper
460 × 725 mm (framed)
Edition of 2, +1 AP
Treadler screened Meg Porteous' film, ʻFloods’ (2026), on the occasion of the opening of ’fantasy, ambition, obsession, labor, achievement, anxiety, torpor, collapse’, Friday 18th September:
